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title page2019-05-28T16:56:18+00:00monthlyhttps://danceinhistory.com/2019/05/20/pas-de-sissonne-battu-in-stage-dances-for-men/https://danceinhistory.com/wp-content/uploads/2019/05/chacone-of-amadis-labbe-1725-60-2.jpgChacone of Amadis L'Abbe 1725 60 (2)https://danceinhistory.com/wp-content/uploads/2019/05/spanish-entry-labbe-1725-74-2.jpgSpanish Entry L'Abbe 1725 74 (2)https://danceinhistory.com/wp-content/uploads/2019/05/entree-de-cithe-pecour-1713-100-2.jpgEntree de Cithe Pecour 1713 100 (2)https://danceinhistory.com/wp-content/uploads/2019/05/entree-pecour-1713-106-2.jpgEntree Pecour 1713 106 (2)https://danceinhistory.com/wp-content/uploads/2019/05/sarabande-pecour-1704-227-2.jpgSarabande Pecour 1704 227 (2)https://danceinhistory.com/wp-content/uploads/2019/05/loure-pecour-1704-173-2.jpgLoure Pecour 1704 173 (2)https://danceinhistory.com/wp-content/uploads/2019/05/entree-pecour-1704-165-2.jpgEntree Pecour 1704 165 (2)https://danceinhistory.com/wp-content/uploads/2019/05/sarabande-pecour-1704-215-2.jpgSarabande Pecour 1704 215 (2)2019-05-20T08:39:11+00:00monthlyhttps://danceinhistory.com/2019/05/06/stage-dances-and-their-performers/2019-05-20T09:53:30+00:00monthlyhttps://danceinhistory.com/2019/04/22/when-is-a-changement-not-a-changement/https://danceinhistory.com/wp-content/uploads/2019/04/cabrioles-feuillet-2-2.jpgCabrioles Feuillet 2 (2)Feuillet, Choregraphie (Paris, 1701), pl. 85https://danceinhistory.com/wp-content/uploads/2019/04/tomlinson-plate-i-3.jpgTomlinson Plate I (3)Tomlinson, The Art of Dancing (London, 1735), plate I (detail)https://danceinhistory.com/wp-content/uploads/2019/04/tomlinson-plate-i-2.jpgTomlinson Plate I (2)Tomlinson, The Art of Dancing (London, 1735), plate I 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(2)https://danceinhistory.com/wp-content/uploads/2019/04/gigue-angleterre-43-2.jpgGigue Angleterre 43 (2)https://danceinhistory.com/wp-content/uploads/2019/04/cabrioles-feuillet-1-2.jpgCabrioles Feuillet 1 (2)2019-04-15T11:14:54+00:00monthlyhttps://danceinhistory.com/2019/04/08/pas-de-sissonne-battu-in-stage-dances-for-women/https://danceinhistory.com/wp-content/uploads/2019/04/passacaille-armide-duet-13-2.jpgPassacaille Armide Duet 13 (2)https://danceinhistory.com/wp-content/uploads/2019/04/canarye-guyot-prevost-43-2.jpgCanarye Guyot Prevost 43 (2)https://danceinhistory.com/wp-content/uploads/2019/04/passacaille-armide-86-2.jpgPassacaille Armide 86 (2)https://danceinhistory.com/wp-content/uploads/2019/04/passacaille-armide-84-2.jpgPassacaille Armide 84 (2)https://danceinhistory.com/wp-content/uploads/2019/04/gavotte-atys-78-2.jpgGavotte Atys 78 (2)https://danceinhistory.com/wp-content/uploads/2019/04/gigue-tancrede-76-2.jpgGigue Tancrede 76 (2)https://danceinhistory.com/wp-content/uploads/2019/04/gigue-alcide-69-2.jpgGigue Alcide 69 (2)https://danceinhistory.com/wp-content/uploads/2019/04/entree-espagnolle-40-2.jpgEntree Espagnolle 40 (2)https://danceinhistory.com/wp-content/uploads/2019/04/passacaille-scylla-28-2.jpgPassacaille Scylla 28 (2)2019-04-08T14:59:33+00:00monthlyhttps://danceinhistory.com/2019/04/01/stage-dances-for-women-and-feuillets-pas-battus/https://danceinhistory.com/wp-content/uploads/2019/04/pas-de-sissonne-feuillet-81-3.jpgPas de Sissonne Feuillet 81 (3)Raoul Auger Feuillet, Choregraphie, 2e éd. (Paris, 1701), plate 81 (detail)https://danceinhistory.com/wp-content/uploads/2019/04/pas-de-sissonne-feuillet-81-2.jpgPas de Sissonne Feuillet 81 (2)Raoul Auger Feuillet, Choregraphie, 2e éd. (Paris, 1701), plates 81 (detail)https://danceinhistory.com/wp-content/uploads/2019/04/contretemps-feuillet-79-3.jpgContretemps Feuillet 79 (3)Raoul Auger Feuillet, Choregraphie, 2e éd. (Paris, 1701), plate 79 (detail)https://danceinhistory.com/wp-content/uploads/2019/04/contretemps-feuillet-79-2.jpgContretemps Feuillet 79 (2)Raoul Auger Feuillet, Choregraphie, 2e éd. (Paris, 1701), plate 79 (detail)https://danceinhistory.com/wp-content/uploads/2019/04/contretemps-feuillet-76-2.jpgContretemps Feuillet 76 (2)Raoul Auger Feuillet, Choregraphie, 2e éd. (Paris, 1701), plate 76 (detail)https://danceinhistory.com/wp-content/uploads/2019/04/entrechats-feuillet.jpgEntrechats FeuilletRaoul Auger Feuillet, Choregraphie, 2e éd. (Paris, 1701), plates 86https://danceinhistory.com/wp-content/uploads/2019/04/cabrioles-feuillet-2.jpgCabrioles Feuillet 2Raoul Auger Feuillet, Choregraphie, 2e éd. (Paris, 1701), plates 85https://danceinhistory.com/wp-content/uploads/2019/04/cabrioles-feuillet-1.jpgCabrioles Feuillet 1Raoul Auger Feuillet, Choregraphie, 2e éd. (Paris, 1701), plate 842019-04-01T14:53:51+00:00monthlyhttps://danceinhistory.com/2019/03/24/notated-dances-for-the-stage/https://danceinhistory.com/wp-content/uploads/2019/03/loure-or-faune-1.jpgLoure or Faune 1https://danceinhistory.com/wp-content/uploads/2019/03/entree-thesee-1-2.jpegEntree Thesee 1 (2)2019-03-24T10:29:52+00:00monthlyhttps://danceinhistory.com/2019/03/20/loves-mistress/https://danceinhistory.com/wp-content/uploads/2019/03/psyche-and-mercury-louvre.jpgPsyche and Mercury LouvreAdriaen de Vries, Mercury carrying Psyche to Cupid (1593)2019-03-20T21:00:25+00:00monthlyhttps://danceinhistory.com/2019/03/09/the-restoration-court-ball/https://danceinhistory.com/wp-content/uploads/2019/03/charles-ii-dancing.jpgCharles II DancingGonzales Coques, Charles II dancing at the Hague, May 1660? (Identification of the dancers is uncertain, but their deportment is very similar to other versions in which Charles II is recognisable) 2019-03-09T17:04:24+00:00monthlyhttps://danceinhistory.com/2019/02/26/dances-on-the-london-stage-blouzabella/2019-02-26T11:57:20+00:00monthlyhttps://danceinhistory.com/2019/02/18/le-menuet-de-la-cour/https://danceinhistory.com/wp-content/uploads/2019/02/menuet-de-la-cour-8.jpgMenuet de la Cour 8Maximilien Gardel, Le Menuet de la Cour, notated Malpied [1780?], plate 8https://danceinhistory.com/wp-content/uploads/2019/02/menuet-de-la-cour-4.jpgMenuet de la Cour 4Maximilien Gardel, Le Menuet de la Cour, notated by Malpied [1780?], plate 42019-02-18T21:22:17+00:00monthlyhttps://danceinhistory.com/2019/02/02/the-pas-de-menuet-and-its-timing/https://danceinhistory.com/wp-content/uploads/2019/02/pas-de-menuet-malpied-2.jpgPas de Menuet Malpied (2)Malpied, Traité sur l’art de la danse (Paris, 1770?), p. 100https://danceinhistory.com/wp-content/uploads/2019/02/pas-de-menuet-feuillet-2.jpegPas de Menuet Feuillet (2)Feuillet, Choregraphie, 2nd ed. (Paris, 1701), Supplément de Pas (detail)2019-02-02T16:11:57+00:00monthlyhttps://danceinhistory.com/2018/08/18/a-dance-from-the-last-ball-at-marly-la-royalle/https://danceinhistory.com/wp-content/uploads/2018/08/la-royalle-1.jpegLa Royalle 1Guillaume-Louis Pecour, La Royalle (Paris, c1713), first platehttps://danceinhistory.com/wp-content/uploads/2018/08/henrietta-anne.jpgHenrietta AnneSir Peter Lely, Henriette Anne, Duchesse d’Orléans, 1662https://danceinhistory.com/wp-content/uploads/2018/08/marie-adelaide-de-savoie.jpgMarie-Adelaide de SavoiePierre Gobert, Marie-Adélaïde de Savoie, Duchesse de Bourgogne, 17102018-08-18T16:53:25+00:00monthlyhttps://danceinhistory.com/2018/07/21/famous-french-ballroom-dances/https://danceinhistory.com/wp-content/uploads/2018/07/la-bourgogne-1.jpgLa Bourgogne 1Guillaume-Louis Pecour, La Bourgogne (Paris, 1700), first platehttps://danceinhistory.com/wp-content/uploads/2018/07/bouree-dachille-1.jpgBouree d'Achille 1Guillaume-Louis Pecour, La Bourée d’Achille (Paris, 1700), first plate2018-07-21T14:39:33+00:00monthlyhttps://danceinhistory.com/2018/07/09/a-year-of-dance-1698/2018-07-09T08:38:13+00:00monthlyhttps://danceinhistory.com/2018/07/02/medea-and-jason-on-the-london-stage/https://danceinhistory.com/wp-content/uploads/2018/07/medea-and-jason-1781.jpgMedea and Jason 1781Francesco Bortolozzi after Nathaniel Dance. Jason et Medée. Ballet tragique. Acquatint (London, 1781)2018-07-02T20:55:57+00:00monthlyhttps://danceinhistory.com/2018/05/10/the-menuet-a-quatre-figures/https://danceinhistory.com/wp-content/uploads/2018/05/pecour-allemande-2.jpgPecour Allemande 2Pecour, L’Allemande (1702), plate 2https://danceinhistory.com/wp-content/uploads/2018/05/pecour-minuet-aquatre-figuret-34-detail.jpgPecour Minuet aquatre figuret 34 detailPecour, Menuet aquatre figuret (notated 1751), plate 34 (detail).2018-07-09T09:03:43+00:00monthlyhttps://danceinhistory.com/2018/05/01/the-menuet-a-quatre-steps/https://danceinhistory.com/wp-content/uploads/2018/05/dezais-la-carignan-12.jpgDezais La Carignan 12Dezais, La Carignan (1725), last plate.https://danceinhistory.com/wp-content/uploads/2018/05/dezais-la-carignan-1.jpgDezais La Carignan 1Dezais, La Carignan (1725), first plate.2018-05-01T11:16:58+00:00monthlyhttps://danceinhistory.com/2018/04/10/a-year-of-dance-1697/https://danceinhistory.com/wp-content/uploads/2018/04/watteau-departure-of-the-comedians.jpgWatteau Departure of the ComediansLouis Jacob after Antoine Watteau, Depart des Comédiens Italiens en 1697, 18th century2018-04-10T11:00:55+00:00monthlyhttps://danceinhistory.com/2018/04/02/enjoying-the-minuet-a-quatre/https://danceinhistory.com/wp-content/uploads/2018/04/anon-menuet-a-quatre-1.jpgAnon Menuet a Quatre 1Anonymous. Le Menuet à Quatre (Paris, 1706), First plate.2018-04-02T11:06:45+00:00monthlyhttps://danceinhistory.com/2018/03/26/the-rise-and-fall-of-the-grand-dance-on-the-london-stage/2018-04-02T20:59:11+00:00monthlyhttps://danceinhistory.com/2018/03/06/the-origins-of-the-pas-de-zephyr-dancers/https://danceinhistory.com/wp-content/uploads/2018/03/monsieur-albert-alcides.jpgMonsieur Albert AlcidesPrint after F. Waldek. Monsieur Albert in the role of Alcide (London, 1821)https://danceinhistory.com/wp-content/uploads/2018/03/pas-de-zephyr-poster.jpgPas de Zephyr PosterThe poster is reproduced in Marian Hannah Winter, The Pre-Romantic Ballethttps://danceinhistory.com/wp-content/uploads/2018/03/zephyr-deshayes-or-duport.jpgZephyr Deshayes or DuportScene from Gardel’s Le Retour de Zéphire? Undated watercolour by an anonymous artist.2018-03-13T16:43:38+00:00monthlyhttps://danceinhistory.com/2018/03/13/the-origins-of-the-pas-de-zephyr-one-dancer-or-more/2018-03-13T16:42:19+00:00monthlyhttps://danceinhistory.com/2018/02/06/the-origins-of-the-pas-de-zephyr-ballets/https://danceinhistory.com/wp-content/uploads/2018/02/clodion-zephyr.jpgClodion ZephyrClodion. Zephyrus and Flora, 1799.https://danceinhistory.com/wp-content/uploads/2018/02/tiepolo-zephyr.jpgTiepolo ZephyrGiovanni Battista Tiepolo. The Triumph of Zephyr and Flora, 1734-1735.2018-02-06T11:20:54+00:00monthlyhttps://danceinhistory.com/2018/01/21/a-year-of-dance-1667/2018-01-21T11:51:29+00:00monthlyhttps://danceinhistory.com/2018/01/09/the-grand-ballet-grand-dance-and-serious-dance-on-the-london-stage/2018-02-06T19:29:26+00:00monthlyhttps://danceinhistory.com/2017/12/20/who-was-the-first-female-professional-dancer-on-the-london-stage/https://danceinhistory.com/wp-content/uploads/2017/12/moll-davis.jpgMoll DavisMoll Davis. Engraving by Richard Tompson after a painting by Sir Peter Lely, 1675-1690.2017-12-20T21:10:25+00:00monthlyhttps://danceinhistory.com/2017/12/03/a-year-of-dance-1666/https://danceinhistory.com/wp-content/uploads/2017/12/great-fire-of-london.jpgGreat Fire of LondonAnon. artist. The Great Fire of London. Ludgate in flames with St Paul's Cathedral (in the background) catching Fire (c1670)2017-12-03T15:35:32+00:00monthlyhttps://danceinhistory.com/2017/11/21/dancers-on-the-london-stage/https://danceinhistory.com/wp-content/uploads/2017/11/john-shaw.jpgJohn ShawJohn Shaw, English dancer 1708 – 17252017-11-21T11:26:54+00:00monthlyhttps://danceinhistory.com/2017/11/13/a-year-of-dance-1665/2017-11-13T17:25:45+00:00monthlyhttps://danceinhistory.com/2017/11/07/dances-on-the-london-stage-lallemande/https://danceinhistory.com/wp-content/uploads/2017/11/allemande-hold-pecour.jpgAllemande Hold PecourPecour, L’Allemande (Feuillet, 1702), second plate (detail)https://danceinhistory.com/wp-content/uploads/2017/11/allemande-pecour.jpgAllemande PecourPecour. L’Allemande (Feuillet, 1702), first plate2017-11-07T12:32:59+00:00monthlyhttps://danceinhistory.com/2017/11/04/a-year-of-dance-1664/https://danceinhistory.com/wp-content/uploads/2017/11/alcines-palace.jpgAlcine's PalaceLes Plaisirs de l’Ile Enchantée (1664), Plate 92017-11-04T11:17:19+00:00monthlyhttps://danceinhistory.com/2017/10/28/a-year-of-dance-1663/2017-10-28T17:23:32+00:00monthlyhttps://danceinhistory.com/2017/10/28/returning-to-dance-in-history/2017-10-28T16:38:19+00:00monthlyhttps://danceinhistory.com/2017/08/23/the-passacaille/https://danceinhistory.com/wp-content/uploads/2017/08/labbe-passacaille-armide-1.jpgLabbe Passacaille Armide 1Anthony L’Abbé, ‘Passacaille of Armide’, A New Collection of Dances (London, c1725]), pl. 7https://danceinhistory.com/wp-content/uploads/2017/08/pecour-passacaille-armide-1.jpgPecour Passacaille Armide 1Guillaume-Louis Pecour, ‘Passacaile’, Nouveau recueil de danse de bal et celle de ballet (Paris, [c1713]), plate 792017-10-23T16:47:51+00:00monthlyhttps://danceinhistory.com/2017/08/17/a-year-of-dance-1662/2017-08-17T19:36:24+00:00monthlyhttps://danceinhistory.com/2017/08/13/dance-types-on-the-london-stage/2017-08-17T20:17:09+00:00monthlyhttps://danceinhistory.com/2017/08/08/a-favourite-ballet/https://danceinhistory.com/wp-content/uploads/2017/08/madame-hiligsberg-jaloux-puni.jpgMadame Hiligsberg Jaloux PuniH. de Javry, engraved by J. Conde. Mademoiselle Hilligsberg in the Ballet of Le Jaloux Puni (London, 1794)2017-08-08T15:02:28+00:00monthlyhttps://danceinhistory.com/2017/06/06/the-millers-dance/https://danceinhistory.com/wp-content/uploads/2017/06/spiller-benefit-hogarth.jpgSpiller Benefit HogarthWilliam Hogarth. Benefit ticket for James Spiller [London, 1720] © British Museum2017-06-06T11:25:35+00:00monthlyhttps://danceinhistory.com/2017/05/30/a-year-of-dance-1661/2017-05-30T17:56:24+00:00monthlyhttps://danceinhistory.com/2017/05/22/mainpieces-afterpieces-and-john-weavers-ballet/https://danceinhistory.com/wp-content/uploads/2017/05/pasquin-loves-2.jpgPasquin Loves 2From Pasquin, 18 February 1724.https://danceinhistory.com/wp-content/uploads/2017/05/pasquin-loves-1.jpgPasquin Loves 1From Pasquin, 18 February 17242017-05-22T20:38:43+00:00monthlyhttps://danceinhistory.com/2017/05/16/serious-dancing/https://danceinhistory.com/wp-content/uploads/2017/05/chacone-of-amadis-1.jpgChacone of Amadis 1L'Abbé, 'Chacone of Amadis', A New Collection of Dances, [c1725], plate 1https://danceinhistory.com/wp-content/uploads/2017/05/orchesography-cross-capers.jpgOrchesography Cross CapersFeuillet, translated by Weaver, Orchesography (London, 1706), Table of Cross Capershttps://danceinhistory.com/wp-content/uploads/2017/05/orchesography-capers.jpgOrchesography CapersFeuillet, translated by Weaver, Orchesography (London, 1706), Table of Capers2017-05-16T14:00:32+00:00monthlyhttps://danceinhistory.com/2017/04/25/cyclops-by-the-comedians/https://danceinhistory.com/wp-content/uploads/2017/04/cyclops-psyche-1671.jpgCyclops Psyche 1671Henry Gissey, Design for a Cyclops in the tragédie-ballet Psyché , 1671https://danceinhistory.com/wp-content/uploads/2017/04/miller-josias.jpgMiller JosiasJosias Miller, as Teague in Sir Robert Howard’s The Committee. Mezzotint by Andrew Miller after a painting by Charles Stoppelaer, 1739. © British Museumhttps://danceinhistory.com/wp-content/uploads/2017/04/pinkethman-1709.jpgPinkethman 1709William Pinkethman, mezzotint by John Smith after a portrait by Johann Rudolf Schmutz, 1709. © British Museum2017-05-22T20:45:41+00:00monthlyhttps://danceinhistory.com/2017/04/18/were-there-lifts-in-early-18th-century-ballet/2017-04-18T16:14:59+00:00monthlyhttps://danceinhistory.com/2017/04/03/followers-of-mars/https://danceinhistory.com/wp-content/uploads/2017/04/lambranzi-1-50-detail.jpgLambranzi 1-50 detailGregorio Lambranzi, Neue und Curieuse Theatralische Tantz-Schul, Part 1, Plate 50 (detail)2017-04-03T16:21:25+00:00monthlyhttps://danceinhistory.com/2017/03/28/long-skirts-or-short-what-did-female-professional-dancers-actually-wear/https://danceinhistory.com/wp-content/uploads/2017/03/perseus-and-andromeda-satire.jpgPerseus and Andromeda Satirehttps://danceinhistory.com/wp-content/uploads/2017/03/laroon-couple-dancing.jpgLaroon Couple Dancinghttps://danceinhistory.com/wp-content/uploads/2017/03/hester-booth-harlequine.jpgEllys, John, c.1701-1757; Mrs Hester Booth (1681-1773)Ellys, John; Mrs Hester Booth (1681-1773); Plymouth City Council: Museum and Art Gallery; http://www.artuk.org/artworks/mrs-hester-booth-16811773-147637https://danceinhistory.com/wp-content/uploads/2017/03/terpsichore.jpgTerpsichorehttps://danceinhistory.com/wp-content/uploads/2017/03/subligny.jpgSublignyMarie-Thérèse de Subligny, visited London Winter 1701 – 1702https://danceinhistory.com/wp-content/uploads/2017/03/desmatins-mlle.jpgDesmatins Mllehttps://danceinhistory.com/wp-content/uploads/2017/03/fille-de-barquerolle.jpgFille de Barquerollehttps://danceinhistory.com/wp-content/uploads/2017/03/nayade-female-dancer.jpgNayade (female dancer)https://danceinhistory.com/wp-content/uploads/2017/03/marine-deity-female-dancer.jpgMarine Deity (female dancer)https://danceinhistory.com/wp-content/uploads/2017/03/erato-henriette-anne.jpgErato (Henriette Anne)2017-03-28T16:19:19+00:00monthlyhttps://danceinhistory.com/2017/03/18/constant-attendants-on-venus/https://danceinhistory.com/wp-content/uploads/2017/03/lancret-salle-detail-1.jpgLancret Salle Detail 1Nicolas Lancret, Portrait of Marie Sallé (1732), detail2017-03-18T16:07:56+00:00monthlyhttps://danceinhistory.com/2017/03/11/the-supporting-cast/2017-03-11T20:31:47+00:00monthlyhttps://danceinhistory.com/2017/02/06/hester-santlow-venus/https://danceinhistory.com/wp-content/uploads/2017/02/vanderbank-santlow.jpgvanderbank-santlowHester Santlow, English dancer 1706 – 1733 https://danceinhistory.com/wp-content/uploads/2017/02/essex-santlow-2.jpgessex-santlow-2https://danceinhistory.com/wp-content/uploads/2017/02/essex-santlow-1.jpgessex-santlow-1https://danceinhistory.com/wp-content/uploads/2017/02/passagalia-1.jpgpassagalia-1L’Abbé, ‘Passagalia of Venüs & Adonis’, A New Collection of Dances, [c1725], plate 12017-05-22T21:10:55+00:00monthlyhttps://danceinhistory.com/2017/02/06/louis-dupre-mars/https://danceinhistory.com/wp-content/uploads/2017/02/mars-in-words.jpgmars-in-wordsWeaver, The Loves of Mars and Venus (1717), p. xvhttps://danceinhistory.com/wp-content/uploads/2017/02/chacone-of-amadis-1.jpgchacone-of-amadis-1L’Abbé, ‘Chacone of Amadis’, A New Collection of Dances, [c1725], first plate2017-02-06T12:21:37+00:00monthlyhttps://danceinhistory.com/2017/02/06/john-weaver-vulcan/https://danceinhistory.com/wp-content/uploads/2017/02/vulcan-in-words.jpgvulcan-in-wordsJohn Weaver, The Loves of Mars and Venus (1717), p. xv2017-02-06T11:43:17+00:00monthlyhttps://danceinhistory.com/2017/01/19/the-dramatick-entertainment-of-dancing-in-action/https://danceinhistory.com/wp-content/uploads/2017/01/vulcan.jpgvulcanA late 17th-century depiction of a stage Vulcan. Did Weaver make his god lame?https://danceinhistory.com/wp-content/uploads/2017/01/venus.jpgvenusA mid-17th century costume design for Venus (danced by a man). Nothing in her dress declares that she is a goddess.https://danceinhistory.com/wp-content/uploads/2017/01/mars.jpgmarsA late 17th-century costume design for a 'Combattant'. Did the Followers of Mars wear something like this?2017-01-19T21:02:59+00:00monthlyhttps://danceinhistory.com/2017/01/09/the-loves-of-mars-and-venus-in-context/https://danceinhistory.com/wp-content/uploads/2017/01/old-drury-lane-1794.jpgold-drury-lane-1794View of the Drury Lane Theatre (Bridges Street front by Robert Adam), c1794? © British Museumhttps://danceinhistory.com/wp-content/uploads/2017/01/lincolns-inn-fields.jpglincolns-inn-fieldsJohn Wykeham Archer, Building formerly Lincoln’s Inn Fields Theatre, 1847. © British Museum2017-01-09T20:37:36+00:00monthlyhttps://danceinhistory.com/2017/01/03/a-year-of-dance-1717/2017-01-03T19:25:10+00:00monthlyhttps://danceinhistory.com/2016/12/28/reviving-dance-in-history/2016-12-28T15:14:51+00:00monthlyhttps://danceinhistory.com/2016/09/27/pas-de-zephyr-two-more-versions/2016-09-27T15:06:51+00:00monthlyhttps://danceinhistory.com/2016/08/13/why-a-dramatic-entertainment-of-dancing/2016-08-13T11:26:53+00:00monthlyhttps://danceinhistory.com/2016/07/19/a-very-important-dance-anniversary/https://danceinhistory.com/wp-content/uploads/2016/07/loves-title-page-detail.jpgLoves Title Page DetailJohn Weaver, The Loves of Mars and Venus, detail from title page2016-07-19T08:29:54+00:00monthlyhttps://danceinhistory.com/2016/06/02/prince-frederick/https://danceinhistory.com/wp-content/uploads/2016/06/prince-frederick-title-page.jpgPrince Frederick Title PageL’Abbé, Prince Frederick (1725), Title Page2016-06-02T20:30:37+00:00monthlyhttps://danceinhistory.com/2016/05/10/pas-de-zephyr-the-step/2018-03-26T20:18:09+00:00monthlyhttps://danceinhistory.com/2016/04/23/a-year-of-dance-1660/2016-04-23T15:49:17+00:00monthlyhttps://danceinhistory.com/2016/04/11/strathys-elements/https://danceinhistory.com/wp-content/uploads/2016/04/strathy-plate-lady.jpgStrathy Plate LadyStrathy. Elements of the Art of Dancing (1822), plate II.2016-04-11T16:59:18+00:00monthlyhttps://danceinhistory.com/2016/04/03/reconstructing-isaacs-rigadoon/https://danceinhistory.com/wp-content/uploads/2016/04/isaac-rigadoon-4.jpgIsaac Rigadoon 4Isaac, The Rigadoon (1706), plate 4/17https://danceinhistory.com/wp-content/uploads/2016/04/isaac-rigadoon-2.jpgIsaac Rigadoon 2Isaac, The Rigadoon (1706), plate 4/172016-04-03T11:31:32+00:00monthlyhttps://danceinhistory.com/2016/03/23/whats-in-a-name-gallinis-forty-four-cotillons/https://danceinhistory.com/wp-content/uploads/2016/03/gallini-zone-of-venus-1.jpgGallini Zone of Venus 1Gallini's Instructions for La Zone de Venus2016-03-23T21:01:31+00:00monthlyhttps://danceinhistory.com/2016/03/14/the-fundamental-step-of-the-cotillon/2016-03-14T20:41:30+00:00monthlyhttps://danceinhistory.com/2016/03/08/the-waltz-1802/https://danceinhistory.com/wp-content/uploads/2016/03/waltz-1802.jpgWaltz 1802‘La Valse’ from Journal of a Party of Pleasure to Paris (1802).2016-03-08T12:31:39+00:00monthlyhttps://danceinhistory.com/2016/03/05/of-the-close-beating-before-tomlinson-the-art-of-dancing-1735/https://danceinhistory.com/wp-content/uploads/2016/03/pecour-passacaille-armide-86.jpgPecour Passacaille Armide 86Pecour, Nouveau Recueil de Dance de Bal [c1713], ‘Passacaille pour une femme’, final plate.https://danceinhistory.com/wp-content/uploads/2016/03/tomlinson-art-of-dancing-plate-i-detail.jpgTomlinson Art of Dancing Plate I (detail)Tomlinson, The Art of Dancing (1735), Plate I (detail).2016-03-05T15:19:44+00:00monthlyhttps://danceinhistory.com/2016/02/23/a-year-of-dance-1816/https://danceinhistory.com/wp-content/uploads/2016/02/wilson-waltzing-title-page.jpgWilson Waltzing Title PageThomas Wilson. A Description of the Correct Method of Waltzing (1816). Title page2016-02-23T12:24:51+00:00monthlyhttps://danceinhistory.com/2016/02/16/spanish-dancing-and-the-dance-treatises/https://danceinhistory.com/wp-content/uploads/2016/02/lambranzi-folie-1-3.jpgLambranzi Folie 1-3Lambranzi, Neue und Curieuse Theatrialische Tantz-Schul (1716), Part 1, plate 32016-02-16T15:22:01+00:00monthlyhttps://danceinhistory.com/2016/02/09/isaacs-rigadoon-the-choreography/https://danceinhistory.com/wp-content/uploads/2016/02/weaver-step-suplement-detail.jpgWeaver Step Suplement detailFeuillet transl. Weaver. Orchesography (1706), ‘A Suplement of Steps’, detail. https://danceinhistory.com/wp-content/uploads/2016/02/isaac-rigadoon-1-detail.jpgIsaac Rigadoon 1 detailMr Isaac. The Rigadoon (1706), first plate, detail.2016-02-09T16:40:07+00:00monthlyhttps://danceinhistory.com/2016/02/02/the-perils-of-terminology/2016-02-02T14:33:25+00:00monthlyhttps://danceinhistory.com/2016/01/25/the-minuet-versus-the-waltz/https://danceinhistory.com/wp-content/uploads/2016/01/wilson-waltz-frontispiece-2.jpgWilson Waltz frontispiece 2Thomas Wilson. A Description of the Correct Method of Waltzing (1816), frontispiecehttps://danceinhistory.com/wp-content/uploads/2016/01/wilson-waltz-track.jpgWilson Waltz TrackThomas Wilson. A Description of the Correct Method of Waltzing (1816), platehttps://danceinhistory.com/wp-content/uploads/2016/01/tomlinson-minuet-notation.jpgTomlinson Minuet NotationKellom Tomlinson. The Art of Dancing (1735), Plate U2016-01-25T14:29:31+00:00monthlyhttps://danceinhistory.com/2016/01/19/isaacs-rigadoon/https://danceinhistory.com/wp-content/uploads/2016/01/weaver-suplement-steps.jpgWeaver Suplement StepsRaoul Auger Feuillet transl. John Weaver, Orchesography (1706), ‘A Suplement of Steps’https://danceinhistory.com/wp-content/uploads/2016/01/isaac-rigadoon-1.jpgIsaac Rigadoon 1Mr Isaac. The Rigadoon (1706), first plate2016-01-19T12:15:18+00:00monthlyhttps://danceinhistory.com/2016/01/12/dancing-spaniards/https://danceinhistory.com/wp-content/uploads/2016/01/spaniard-ballet-de-la-nuit.jpgSpaniard Ballet de la NuitDancing Spaniard from designs for Le Ballet de la Nuit, 16532016-01-12T16:50:43+00:00monthlyhttps://danceinhistory.com/2016/01/05/a-year-of-dance-1716/https://danceinhistory.com/wp-content/uploads/2016/01/lambranzi-1-plate-29.jpgLambranzi 1 plate 29Lambranzi, Neue und Curieuse Theatrialische Tantz-Schul (1716), Part 1, Plate 292016-01-05T12:44:43+00:00monthlyhttps://danceinhistory.com/2015/12/28/country-dancing-further-improved/https://danceinhistory.com/wp-content/uploads/2015/12/princess-passpied1.jpgPrincess Passpied1John Essex, The Princess's Passpied, [1715?], first platehttps://danceinhistory.com/wp-content/uploads/2015/12/essex-1715.jpgEssex 1715John Essex, For the Further Improvement of Dancing [1715?], plates 1 - 42015-12-28T11:35:06+00:00monthlyhttps://danceinhistory.com/2015/12/26/country-dancing-improved/https://danceinhistory.com/wp-content/uploads/2015/12/essex-preface-1710.jpgEssex Preface 1710John Essex, Preface, For the Further Improvement of Dancing (1710), first page2015-12-26T12:46:11+00:00monthlyhttps://danceinhistory.com/2015/12/13/jouissons-les-plaisirs/https://danceinhistory.com/wp-content/uploads/2015/12/camargo-partner-2.jpgCamargo & Partner 2Nicolas Lancret, La Camargo Dancing (c1730)2015-12-13T16:15:21+00:00monthlyhttps://danceinhistory.com/2015/11/29/spanish-dances/2015-11-29T21:59:42+00:00monthlyhttps://danceinhistory.com/2015/11/13/the-saraband-on-the-london-stage/https://danceinhistory.com/wp-content/uploads/2015/11/prince-of-wales-saraband.jpgPrince of Wales SarabandAnthony L’Abbé. The Prince of Wales’s Saraband [1731], first plate.https://danceinhistory.com/wp-content/uploads/2015/11/saraband-of-issee.jpgSaraband of IsseeAnthony L’Abbé. Saraband’ of Issee [c1725], first plate.2015-11-13T12:44:52+00:00monthlyhttps://danceinhistory.com/2015/10/30/feuillets-sarabands/https://danceinhistory.com/wp-content/uploads/2015/10/feuillet-female-sarabande.jpgFeuillet Female SarabandeSarabande de Mr. Feüillet (undated). First plate2015-10-30T12:48:10+00:00monthlyhttps://danceinhistory.com/2015/10/22/the-saraband/2015-10-22T20:42:26+00:00monthlyhttps://danceinhistory.com/2015/10/13/does-authenticity-matter/2015-10-13T16:04:11+00:00monthlyhttps://danceinhistory.com/2015/10/11/le-menuet-despagne/https://danceinhistory.com/wp-content/uploads/2015/10/menuet-despagne-final.jpgMenuet d'Espagne FinalDezais. Le Menuet d’Espagne (Paris, 1715), final plate2015-10-11T09:14:03+00:00monthlyhttps://danceinhistory.com/2015/10/03/aimable-vainqueur-on-the-london-stage/https://danceinhistory.com/wp-content/uploads/2015/10/aimable-vainqueur-titlepage.jpgAimable Vainqueur TitlepagePecour. Aimable Vainqueur (Paris, 1701), Title page2019-09-17T14:01:41+00:00monthlyhttps://danceinhistory.com/2015/09/24/reconstructing-ballroom-dances-la-mariee/2015-09-24T20:44:25+00:00monthlyhttps://danceinhistory.com/2015/09/14/various-authenticities/2015-09-14T16:49:05+00:00monthlyhttps://danceinhistory.com/2015/09/08/two-more-dezais-dance-names/2015-09-08T16:42:11+00:00monthlyhttps://danceinhistory.com/2015/09/06/le-cotillon-de-surenne/2015-09-06T09:52:53+00:00monthlyhttps://danceinhistory.com/2015/08/25/a-year-of-dance-1725/https://danceinhistory.com/wp-content/uploads/2015/08/mariee-rameau.jpgMariee RameauPecour. La Mariée, notated by Rameau. First platehttps://danceinhistory.com/wp-content/uploads/2015/08/siris-diana.jpgSiris DianaSiris. The Diana. First plate2015-08-25T16:57:39+00:00monthlyhttps://danceinhistory.com/2015/07/30/la-mariee-on-the-london-stage/https://danceinhistory.com/wp-content/uploads/2015/07/la-mariee.jpgLa MarieeGuillaume-Louis Pecour. Recueil de dances (Paris, 1700), plate 12, opening of La Mariée2015-07-30T15:22:15+00:00monthlyhttps://danceinhistory.com/2015/07/23/hungarian-dances-in-the-ballroom/https://danceinhistory.com/wp-content/uploads/2015/07/francis-ii-rakoczi.jpgFrancis II RakocziAdám Mányoki. Francis II Rákoczi. 17242015-07-23T21:24:37+00:00monthlyhttps://danceinhistory.com/2015/07/20/whats-in-a-date/2015-07-20T14:50:46+00:00monthlyhttps://danceinhistory.com/2015/07/18/whats-in-a-name/https://danceinhistory.com/wp-content/uploads/2015/07/infanta-mariana-victoria.jpgInfanta Mariana VictoriaNicolas Largilliere. The Infanta Mariana Victoria. 17242015-07-18T15:14:38+00:00monthlyhttps://danceinhistory.com/2015/07/06/dancing-masters-advertisements/2015-07-06T20:42:03+00:00monthlyhttps://danceinhistory.com/2015/06/22/learning-to-dance-kellom-tomlinson/https://danceinhistory.com/wp-content/uploads/2015/06/tomlinson-minuet-plate-8.jpgTomlinson Minuet Plate 8Kellom Tomlinson. The Art of Dancing (London, 1735), Book II, Plate VIII.2015-06-22T19:40:17+00:00monthlyhttps://danceinhistory.com/2015/06/19/lecossoise/2015-06-19T21:00:43+00:00monthlyhttps://danceinhistory.com/2015/06/18/learning-to-dance-pierre-rameau/https://danceinhistory.com/wp-content/uploads/2015/06/dancing-master-plate.jpgDancing Master PlatePierre Rameau, translated by John Essex, The Dancing-Master (London, 1728). Plate facing opening page of chapter 1.2015-06-18T14:40:38+00:00monthlyhttps://danceinhistory.com/2015/06/11/learning-to-dance-gottfried-taubert/https://danceinhistory.com/wp-content/uploads/2015/06/taubert-title-page.jpgTaubert Title PageGottfried Taubert. Rechtschaffener Tantzmeister (1717). Title Page.2015-06-11T20:34:04+00:00monthlyhttps://danceinhistory.com/2015/06/08/favourite-ballroom-duets/2015-06-08T20:10:03+00:00monthlyhttps://danceinhistory.com/2015/06/04/a-new-dance-for-a-girl/https://danceinhistory.com/wp-content/uploads/2015/06/cybelline-plate-3.jpgCybelline Plate 3La Cybelline. Plate 3, with the last of the pas de sissonne sequences.https://danceinhistory.com/wp-content/uploads/2015/06/cybelline-title-page.jpgCybelline Title PageLa Cybelline (1719). Title page.2015-06-04T21:12:38+00:00monthlyhttps://danceinhistory.com/2015/06/01/cotillon-balls-in-1769/https://danceinhistory.com/wp-content/uploads/2015/06/mlle-cotillon.jpgMlle CotillonSt James’s Chronicle, 1-3 August 1769.https://danceinhistory.com/wp-content/uploads/2015/06/augustin-noverre.jpgAugustin NoverreAugustin Noverre. Artist Unknown. The portrait was presumably painted while Augustin was working in London.2015-06-01T19:56:26+00:00monthlyhttps://danceinhistory.com/2015/05/28/the-cotillon-ball/https://danceinhistory.com/wp-content/uploads/2015/05/cotillon-poem.jpgCotillon PoemSt James’s Chronicle or the British Evening Post, 16-18 February 1768, from ‘Poets Corner’.2015-05-28T20:06:58+00:00monthlyhttps://danceinhistory.com/2015/05/25/the-minuet-sources/https://danceinhistory.com/wp-content/uploads/2015/05/bickham-minuet.jpgBickham Minuet2015-05-25T20:24:07+00:00monthlyhttps://danceinhistory.com/2015/05/22/going-to-the-ball/2015-05-22T19:55:14+00:00monthlyhttps://danceinhistory.com/2015/05/17/a-year-of-dance-1715/https://danceinhistory.com/wp-content/uploads/2015/05/princess-royale.jpgPrincess RoyaleL’Abbé. The Princess Royale (London, [1715]), title page.https://danceinhistory.com/wp-content/uploads/2015/05/danses-nouvelles.jpgDanses NouvellesPecour. Danses nouvelles (Paris, [1715?]), title page.2015-05-17T09:30:45+00:00monthlyhttps://danceinhistory.com/2015/05/11/a-year-of-dance-1714/https://danceinhistory.com/wp-content/uploads/2015/05/isaac-godolphin.jpgIsaac GodolphinMr Isaac. The Godolphin (London, 1714). Title page.2015-05-11T20:13:51+00:00monthlyhttps://danceinhistory.com/2015/04/23/solos-for-girls/https://danceinhistory.com/wp-content/uploads/2015/04/passacaille-pemberton.jpgPassacaille PembertonL’Abbé’s Passacaille from Pemberton’s Essay (1711), plate 1.2015-04-23T19:31:43+00:00monthlyhttps://danceinhistory.com/2015/04/20/dancers-in-ballets-de-cour-1648-1669/2015-04-20T20:02:45+00:00monthlyhttps://danceinhistory.com/2015/04/15/dancing-the-cotillon-the-allemande-step/2015-04-15T19:43:06+00:00monthlyhttps://danceinhistory.com/2015/04/10/dancing-the-cotillon-villeneuves-steps/2015-04-10T19:37:09+00:00monthlyhttps://danceinhistory.com/2015/03/23/mlle-de-verpre-the-first-female-professional-dancer/2015-03-23T21:24:48+00:00monthlyhttps://danceinhistory.com/2015/03/19/la-brone-and-la-blonde-on-the-london-stage/2015-03-19T12:49:45+00:00monthlyhttps://danceinhistory.com/2015/03/16/dezais-premier-livre-de-contre-dances-a-closer-look/2015-03-16T21:29:40+00:00monthlyhttps://danceinhistory.com/2015/03/14/dancing-on-the-london-stage/https://danceinhistory.com/wp-content/uploads/2015/03/santlow-harlequine.jpgSantlow HarlequineJohn Ellys. Hester Santlow as Harlequine. c.17252015-03-14T13:04:36+00:00monthlyhttps://danceinhistory.com/2015/03/11/stage-dancing/https://danceinhistory.com/wp-content/uploads/2015/03/ballon.jpgBallonClaude Ballon, visited London April – May 1699 2015-03-11T09:30:25+00:00monthlyhttps://danceinhistory.com/2015/03/07/dances-for-four-dezais-premier-livre-de-contre-dances-1725/2015-05-11T20:02:24+00:00monthlyhttps://danceinhistory.com/2015/03/02/ballroom-dancing-in-the-18th-century/https://danceinhistory.com/wp-content/uploads/2015/03/rameau-ball.jpgRameau BallA ball at the court of Louis XIV. Pierre Rameau. Le Maître à danser (Paris, 1725). 2015-03-02T13:28:41+00:00monthlyhttps://danceinhistory.com/2015/02/26/dancing-the-cotillon-gherardis-steps/2015-02-26T17:09:45+00:00monthlyhttps://danceinhistory.com/2015/02/19/louis-xiv-premier-danseur-noble/https://danceinhistory.com/wp-content/uploads/2015/02/louis-xiv-guerre.jpgLouis XIV GuerreLouis XIV as La Guerre in Les Nopces de Pélée et de Thétis (1654). Workshop of Henry de Gissey.2015-02-19T17:45:58+00:00monthlyhttps://danceinhistory.com/2015/02/16/dancing-the-cotillon-gallinis-steps/2015-02-16T17:06:15+00:00monthlyhttps://danceinhistory.com/2015/02/12/madame-the-first-ballerina/https://danceinhistory.com/wp-content/uploads/2015/02/henriette-anne.jpgHenriette AnneMadame, Duchesse d'Orleans.Nicholas de Larmessin after Pierre Mignard? c1661-1670. © Trustees of the British Museum2015-02-12T17:46:55+00:00monthlyhttps://danceinhistory.com/2015/02/09/dances-for-four-le-cotillon-1705/https://danceinhistory.com/wp-content/uploads/2015/02/cotillon-2.jpgCotillon 2Le Cotillon (1705). Second plate. First half of Figure.https://danceinhistory.com/wp-content/uploads/2015/02/cotillon-1.jpgCotillon 1Le Cotillon (1705). First plate. Opening Change.2015-02-09T17:29:17+00:00monthlyhttps://danceinhistory.com/2015/02/02/mr-holt-and-his-minuet-and-jigg-for-four-ladies/https://danceinhistory.com/wp-content/uploads/2015/02/holt-minuet-2.jpgHolt Minuet 2Mr Holt's Minuet and Jigg. Last plate.https://danceinhistory.com/wp-content/uploads/2015/02/holt-minuet-1.jpgHolt Minuet 1Mr Holt's Minuet and Jigg, first plate.2015-02-07T13:05:08+00:00monthlyhttps://danceinhistory.com/2015/02/07/mr-holts-minuet-and-jigg-in-performance/2015-02-07T13:03:54+00:00monthlyhttps://danceinhistory.com/2015/01/29/dancing-the-cotillon-gherardis-figures-from-his-third-book-of-cotillons/https://danceinhistory.com/wp-content/uploads/2015/01/gherardi-third-waves.jpgGherardi-Third-WavesGherardi, A Third Book of French Country Dances or Cotillons. London, [1770], p. xvi.https://danceinhistory.com/wp-content/uploads/2015/01/gherardi-third-snail.jpgGherardi-Third-SnailGherardi, A Third Book of French Country Dances or Cotillons. London, [1770], p. xv.https://danceinhistory.com/wp-content/uploads/2015/01/gherardi-third-lovers-knot.jpgGherardi-Third-Lovers KnotGherardi, A Third Book of French Country Dances or Cotillons. London, [1770], p. xiv.https://danceinhistory.com/wp-content/uploads/2015/01/gherardi-third-cross-of-malta.jpgGherardi-Third-Cross of MaltaGherardi, A Third Book of French Country Dances or Cotillons. London, [1770], p. xiii.https://danceinhistory.com/wp-content/uploads/2015/01/gherardi-third-interchainment.jpgGherardi-Third-InterchainmentGherardi, A Third Book of French Country Dances or Cotillons. London, [1770], p. ix.https://danceinhistory.com/wp-content/uploads/2015/01/gherardi-third-enchainement.jpgGherardi-Third-EnchainementGherardi, A Third Book of French Country Dances or Cotillons. London, [1770], p. viii2015-01-29T21:34:26+00:00monthlyhttps://danceinhistory.com/2015/01/27/the-ballets-of-louis-xiv-a-list/2016-09-28T15:27:27+00:00monthlyhttps://danceinhistory.com/2015/01/25/the-morning-star-monsieur-and-the-ballet-de-cour/https://danceinhistory.com/wp-content/uploads/2015/01/philippe-dorleans.jpgPhilippe d'OrleansPhilippe d’Orleans. Print by François de Poilly I, after Jean Nocret. c 1660. © Trustees of the British Museum2015-01-25T15:05:52+00:00monthlyhttps://danceinhistory.com/2015/01/22/dancing-the-cotillon-gherardis-figures-from-his-second-book-of-cotillons/https://danceinhistory.com/wp-content/uploads/2015/01/gherardi-second-chaine-en-poussette.jpgGherardi-Second-Chaine en PoussetteGherardi, A Second Book of Cotillons. London, [1768?], p. 10.https://danceinhistory.com/wp-content/uploads/2015/01/gherardi-second-poussette-en-tournant.jpgGherardi-Second-Poussette en TournantGherardi, A Second Book of Cotillons. London, [1768?], p. 9https://danceinhistory.com/wp-content/uploads/2015/01/gherardi-second-petit-carre.jpgGherardi-Second-Petit CarreGherardi, A Second Book of Cotillons. London, [1768?], p. 4.2016-03-14T20:52:55+00:00monthlyhttps://danceinhistory.com/2015/01/18/thinking-about-dances-dancing-and-history/2015-01-18T21:24:41+00:00monthlyhttps://danceinhistory.com/2015/01/16/dances-for-four-the-sources/2015-01-16T20:38:52+00:00monthlyhttps://danceinhistory.com/2015/01/09/dancing-the-cotillon-gallinis-figures/2015-01-09T09:41:30+00:00monthlyhttps://danceinhistory.com/2015/01/05/dances-for-four-a-first-list/2015-01-05T20:33:29+00:00monthlyhttps://danceinhistory.com/2015/01/01/dancing-the-cotillon-the-changes-3/2015-01-01T14:31:21+00:00monthlyhttps://danceinhistory.com/2014/12/22/teaching-the-cotillon/https://danceinhistory.com/wp-content/uploads/2014/12/grown-ladies.jpgGrown ladies[After John Collet. Grown ladies taught to dance. c1768. © Trustees of the British Museum]https://danceinhistory.com/wp-content/uploads/2014/12/grown-gentlemen.jpgGrown gentlemen[After John Collet. Grown gentlemen taught to dance. 1767. © Trustees of the British Museum]2014-12-22T21:01:28+00:00monthlyhttps://danceinhistory.com/2014/10/02/dances-for-four/2014-10-02T08:35:25+00:00monthlyhttps://danceinhistory.com/2014/06/23/mr-siret-a-set-of-cotillons-c1770/https://danceinhistory.com/wp-content/uploads/2014/06/kingsbury-cotillon-4.jpgKingsbury Cotillon 4Henry Kingsbury. A Cotilion. [Detail, right hand side]. 1788. © Trustees of the British Museum2014-06-23T14:13:52+00:00monthlyhttps://danceinhistory.com/2014/04/21/george-villeneuve-junior-a-collection-of-cotillons-1769/https://danceinhistory.com/wp-content/uploads/2014/04/kingsbury-cotillon-3.jpgHenry Kingsbury. A Cotilion. [Detail, centre right]. 1788. © Trustees of the British Museum2014-04-21T19:14:20+00:00monthlyhttps://danceinhistory.com/2014/04/05/fraternising-with-the-enemy/2014-04-05T17:04:19+00:00monthlyhttps://danceinhistory.com/2014/03/30/thomas-hurst-the-cotillons-made-plain-and-easy-1769/https://danceinhistory.com/wp-content/uploads/2014/03/kingsbury-cotillon-2.jpgHenry Kingsbury. A Cotilion. [Detail, centre left]. 1788. © Trustees of the British Museum2014-03-30T20:23:19+00:00monthlyhttps://danceinhistory.com/2014/02/07/giovanni-battista-gherardis-three-books-of-cotillons-1768-1770/https://danceinhistory.com/wp-content/uploads/2014/02/kingsbury-cotillon-1.jpgKingsbury Cotillon 1Henry Kingsbury. A Cotilion. [Detail, left hand side]. 1788. © Trustees of the British Museum2014-02-07T11:36:31+00:00monthlyhttps://danceinhistory.com/2014/01/17/cotillons-in-print/2014-01-17T16:01:24+00:00monthlyhttps://danceinhistory.com/2014/01/16/the-ballets-de-cour-of-louis-xiv/https://danceinhistory.com/wp-content/uploads/2014/01/louis-xiv.jpgLouis XIVNicolas de Larmessin. Louis XIV. 1661. © Trustees of the British Museum2014-01-16T16:40:51+00:00monthlyhttps://danceinhistory.com/2014/01/07/gallinis-additional-tunes/2014-01-07T12:05:35+00:00monthlyhttps://danceinhistory.com/2013/12/31/gallinis-cotillons/2014-01-07T11:59:58+00:00monthlyhttps://danceinhistory.com/2013/12/22/the-cotillon-becomes-fashionable-2/https://danceinhistory.com/wp-content/uploads/2013/12/english-cotillon.jpgEnglish CotillonJames Caldwell, after John Collet. The Cotillion Dance. 1771. © Trustees of the British Museum2013-12-22T17:31:28+00:00monthlyhttps://danceinhistory.com/2013/12/07/the-cotillon-arrives-in-london/2013-12-07T16:52:10+00:00monthlyhttps://danceinhistory.com/2013/11/28/bad-dancing/2013-11-28T18:05:15+00:00monthlyhttps://danceinhistory.com/2013/11/28/the-cotillon/2013-11-28T17:59:15+00:00monthlyhttps://danceinhistory.com/2013/11/28/good-dancing-2/2013-11-28T17:58:14+00:00monthlyhttps://danceinhistory.comdaily1.02026-02-24T11:58:31+00:00